Letter from the owner: all good things...

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This summer, InkTears became 10 years old. We’ve published more than 120 stories (each going out to several thousand people per month), nearly a dozen books, and a bunch of fabulous flash, all from a dazzling array of authors. it has been an amazing journey, and now it’s time to bring it to a close. We have already shuttered the contests and issue 124 is our last newsletter.

Why? Because it’s time. When we started InkTears there were far fewer places for aspiring writers to send their short stories. It was hard for writer’s to build a publishing history and secure an agent or a publishing deal, and self-publishing was still ‘vanity’ - not something any self respecting author would choose. Today, there are many more options for writers, and a host of wonderful literary magazines and blogs. What’s more, these locations are far more accessible thanks to platforms like Submittable. Self-publishing has leapt forwards, and lost much of the stigma, thanks to the success of books like ‘the Fifty Shades’ series, and The Martian. It feels like the need that InkTears fulfilled is now adequately met by the market.

If I’m honest, I’d also like a little more free time. I have a full time job running an AI software startup, that is incredibly exciting, fulfilling, and time-consuming, too. For several years, I’ve been cobbling together a non-fiction book, plus a second collection of short stories, and I only get weekends and vacations for that - time which is often consumed by InkTears. I’d like to devote some of my free time to finishing those two projects.

InkTears has been a fabulous experience, for me, and I hope for you. Bringing the joy of short fiction to a wider group of readers, free of charge, monthly, supported just by contest entry fees and book sales has been a pleasure. I had originally hoped to bring more short stories directly to the attention of the film makers here in LA, but that is a job I will leave to someone else with more time on their hands. It seems to me that the short fiction market has never been stronger. I’d like to think InkTears was a tiny part of that resurgence. Thanks go to everyone who has been involved; our readers, writers, judges, editor (Sara-Mae, with her fabulous podcast career taking off!). The books we’ve published will still be available in the short term, but I’ll be transitioning the sales process to the authors.

Good reading, good writing, and good night!



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Interview: Emma Viskic

Soon to be found in our Splash of Ink collection, we recently caught up with Emma Viskic on how she has become a bestselling, prizewinning author since we last spoke!

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Emma Viskic

Interviewed by Anthony Howcroft

Emma, you published a piece of flash with us a few years ago, and since then I see you’ve published a bunch of short stories, and three novels! That’s amazing. Where did this sudden burst of productivity come from?

It’s the slowest overnight success. I’ve been writing since I was four, and working on it seriously for the last ten or so years so I had a lot of words behind me. Having said that – there’s nothing like a multi-book contract to make you work hard.

Your novels are all based around a character called Caleb Zelic. Tell us a little bit about him, and what makes him unique.

At first glance Caleb Zelic looks like a standard hero of a crime novel – a loner PI with a failed marriage – but he’s also profoundly deaf. He lipreads and uses sign language, and walks in both the hearing and deaf worlds without quite belonging to either. The inspiration for his character came from a lot of places, including a deaf school friend, but a large part of it came from my paternal grandparents who were Croatian immigrants. They didn’t speak English and I wasn’t raised to speak Croatian, so communication and isolation have been pretty consistent themes in my life and writing since I was a child. Writing Caleb’s character has been an amazing experience. I learnt Australian sign language to do it and also discovered an entirely new way of experiencing the world.

Your first novel, Resurrection Bay, won a stack of awards - the 2016 Ned Kelly Award for Best Fiction, and an unprecedented three Davitt Awards (Best Adult Novel, Best Debut, and Readers’ Choice). It was iBooks Australia’s Crime Novel of the Year, and we haven’t even started on the UK and US awards. That must have been incredible. I get excited if a short story gets longlisted. Tell us what it felt like as the awards started coming in.

It felt surreal. I very rarely showed my writing to anyone and most of my friends and family weren’t even aware I was working on a novel. That other people had read and liked my work was incredible – I kept waiting for someone to tell me it was all an elaborate prank.

Did you feel pressured for the second book in the series, And Fire Came Down?

Yes! I felt huge pressure to write a book people would enjoy as much as Resurrection Bay. But it wasn’t all negative. I don’t write easily classifiable crime novels. They’re plot-driven, but primarily about character, and I explore issues like identity and loss. Knowing that people had liked the first book really helped me trust my instincts the second time around.

Writing’s not your first career though - we hear you are a classically trained musician - is that true?

Yes, my first career was as a classical clarinettist. Like writing, classical music is a great mixed-bag of experiences. I played professionally for twenty years, performing in anything from operas and arena spectaculars, to beer gardens and aged-care homes. All those years of practise were a great training for life as a writer, too.

Do you still write as much flash and short fiction, or do the novels devour your time?

I occasionally write short stories and flash fiction, but my main focus is my novels these days. Partly because I’ve got deadlines, but mainly because I'm usually immersed in the world I’m creating and don’t want to leave it to write anything else.

Any tips for us mere mortals? How do you move from having a couple of stories published to best-selling, prize-winning author?

Write, write, write and read, read, read. I wrote two full-length manuscripts and a number of shorter works before beginning Resurrection Bay. I'd also highly recommend writing short-form fiction. Not only is it an art form in itself, but it's also a great way to hone your writing skills.

Have you met Jane Harper, author of the recent Australian crime novels (The Dry, Force of Nature, Lost Man)? Does it drive you mad that everyone compares the two of you?

Yes, I see Jane every now and then – usually at awards nights! She’s a lovely, generous person. I don’t mind the comparison at all. We’re quite different writers, but as we’re both drawn to isolated protagonists and settings, I can see why people often put us together. Jane’s on-going success has also helped draw international attention to the huge wealth of talent in Australian crime fiction.

Thank you so much for talking with us Emma, and congratulations on your success. For our readers, you can find Emma’s books available online here, online and in your local bookseller - if not, tell them to place an order!

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Fable Gazers Win Bronze... and still need your help!


Our Editorial Director, Sara-Mae Tuson, wanted to thank everyone for voting for the Sugar Baby Confessionals at the British Podcast Awards - where they won a bronze award! The Fable Gazer team are now working on their next podcast series called Heyer Today, based on Georgette Heyer’s Regency romance novels. We caught up with Sara-Mae to find out how it’s going.

“We've been interviewing more people...39 of them in fact, including national treasure, Stephen Fry, acclaimed bestselling author Joanne Harris, Jennifer Kloester and Susannah Fullerton (who is currently running her amazing literary tours in England - hooray!), Harriet Evans, Mary Jo Putney and many more.

We've also been composing a special musical soundscape to go along with the series, with pieces played on the piano and harpsichord to give a flavour of the Regency period. The twist? Each melody is inspired by the music from a different decade in Georgette's life. It's a small detail, but we hope you'll enjoy it. We worked with the incredible musician Tom Chadd to put these tunes together.

We're also very lucky to have harpist Emma Gatrill's insanely good album 'Chapter 1' as well - buy it on Bandcamp, it's fabulous.”

The new podcast series is due out in December, and they have a tight timescale, as Sara-Mae is pregnant!

The podcasts are free, but are supported by a crowdfunding page (that has some goodies, videos, etc. too). We’ve put our own little contribution in. If you’d like to support Sara-Mae and the Fable Gazer Team, the link is here.



Melanie's writing retreat


One of our prize-winning InkTears authors, Melanie Whipman, is teaching a creative writing course at a Greek retreat this autumn. She normally lectures at the University of Chichester on their MA, or runs workshops in Farnham or at literary festivals - so this is a first for her, and she is excited by the prospect of a fresh perspective and the opportunity to work with writers who will be able to immerse themselves in their writing in such a beautiful location.

Melanie told us: “I’ve designed the programme so there will be tutor led exercises, feedback on your work, time to write alone, and time to workshop with fellow writers. It’s ideal if you’re part way through a novel or memoir and feel a little stuck and would like some fresh input, or if you’d just like some inspiration and guidance to tackle some short stories. The setting is stunning - a little village in the Greek hills an hour or so outside Athens.”

Melanie is not only a great writer, but also an outstanding teacher. If you’ve ever considered a writing retreat, but not been sure whether to take the plunge, now’s your best chance! Check out the details here: https://www.skybluetours.co



Summer writing

We published a reading list last month, and I have my kindle pre-loaded with exciting new material to enjoy on vacation, but it struck me that I’m just as excited about writing while I’m away. These days, work/life is so busy that I don’t get to put pen to paper (or fingers to keys, if we’re being accurate) as much as I would like to. In fact, I haven’t written any stories yet, this year, as far as I can recall. My summer holiday is one of the few occasions where I have some dedicated time to do what I want, and so I come into it with a moleskine brim full of notes, and I often feel inspired by the new locations, and the new books, that I encounter. Last year my entire output of creative writing was four short stories, and two of those were written on my summer holiday. This year, I’m hoping to do the same. I don’t know how many other writer’s feel the same - and whether they use the summer break to stop writing and recharge, or whether, like me, the writing itself can power up your energy. Do you write on vacation? I did a quick google search to see if any well-known best sellers were written or inspired by holidays, but it was hard to sort through the millions of summer book reading lists that bubbled to the top of the list. Let me know if you are aware of any blockbusters written on a beach. I’d be curious to see if writers view vacations in the same way…



This is where stories are made


One of my friends has recently announced that he is going to row across the Atlantic solo, for charity. I should tell you right here that I get seasick if I look at a boat, and more than a few minutes on a rowing machine in the gym will see me flopped on the floor like a rag doll. Which means I look at Martyn’s challenge as something like Dante’s journey through hell. Martyn is no stranger to adventure, though - in 2017 he hiked solo from Mexico to Canada along the Pacific Crest Trail enduring the worst snow conditions in 30 years, raging river crossings, and wild fires, never mind the huge physical discomfort to average 20+ miles per day and complete the 2,667 miles in exactly 5 months!

If you’ve ever wondered why someone does these type of challenges, Martyn has a fascinating answer. For him, he says, it comes down to three reasons: one is to raise money and awareness for charities - in particular, those related to mental health. He is candid enough to state that he has suffered from severe depression at times in his life, and wants to repay the acts of kindness from those that helped him, and encourage others to seek help by raising money for charities close to his heart. The second is because he has a competitive spirit! Finally, Martyn will be 62 when he rows across the Atlantic, and he wants to show that age is no barrier, and that young or old can achieve the impossible, despite hardships and setbacks.

I can’t help but think that there will be a wealth of stories emerging from this challenge. For those of us that sit behind a keyboard and imagine people and worlds, there are others that go out and live them, and perhaps a little inspiration rubs off in each direction. Please take two minutes, and help however you can by either donating to Martyn’s charity or by sponsoring Martyn. If you’d like to learn more about the challenge, you can visit Martyn’s website.



Summer Reading list

Each year (I think - haven’t gone back and checked) we publish a list of the books we’ll be reading this summer. We are compiling the list right now, and thought we might throw it open to suggestions from you. We have already picked out a few books - The Taiga Syndrome by Cristina Rivera Garza, and The Order of Time by Carlo Rovelli, for example. But we are open to suggestions - feel free to add them in the comments below. Don’t feel shy about publicising your own book, or one of a friend’s by the way - it is hard to get publicity. The more the merrier.



What to do when you can't find time to write

I don’t think I’ve written any short stories this year, not even a single piece of flash. That’s not because of any writer’s block, but simply because I’ve been overwhelmed with other things - you know, work, life, stuff. I suppose I should feel concerned about that - what if I get rusty? what if I get out of the habit? what if the ideas dry up? Maybe, though, because I’ve been writing for what seems like a long time now, I don’t find any of that concerns me. I know that the skills I’ve developed over the years of writing are not going to be forgotten that easily. I would say, like riding a bike, but as a writer I’m not allowed to use cliches :)

What I have been doing though, is continuing to read. I think that is critical. I’ve also been noticing that the quality of the writing seems (at least to me) to be getting better in the books I’ve been reading. Over the past few months I’ve read a few Tana French novels, and also everything written by Jane Harper. I think both are tremendous writers, who can portray many great psychological insights with very direct prose. I find great writing inspiring, rather than intimidating.

With summer rapidly approaching, and a holiday planned for early June (when school finishes here) I’m looking forward to writing a couple of stories during our family vacation. If you’re in the same position - with not enough time for writing - I hope you can find some time over the summer to finally put pen to paper. There may be other writers who do the requisite 2000 words every day, and then stop while on holiday. I don’t think it matters one way or the other. However you balance your writing with your life, the breaks seem to help you return refreshed as a writer. Summer is a great time to read and write - I hope you get time to do both.



Blog for Sugar Babies!

We need your help! As many of you know, the InkTears Editorial Director, Sara-Mae, has produced a fabulous podcast called The Sugar Baby Confessionals which is now up for a prize as the Listener’s Choice Award at the British Podcast Awards! If you’ve listened to the podcast and want to vote - or if you haven’t and just want to support her anyway ;) you can vote here: https://www.britishpodcastawards.com/vote but hurry, because votes have to be in by the 15 May at the latest.

I’m a huge fan of the podcast - I found it compulsive listening, and I’m not alone - Sarah DaSilva of Audible Feast added it to her ‘Best Podcast Series of 2018’ list, and said she was ‘obsessed’. If you haven’t listened yet, you should do. It’s available via iTunes, Spotify, etc. and totally free.



Announcing the InkTears short story prize winners for 2018

Congratulations to the winners of our 2018 contest. We will publish all of the stories below over the coming months, starting with our winning entry by Louise Farr in a few days time.


The sun is also a star by Louise Farr

Runner Up

Python yellow by Michelle Jager

Highly Commended

The tower by Angelita Bradney

Rehab by Julie Evans

Changeling by Angela Forrest

The colour of things by Christine Genovese

All that matters by Sarah Klenbort [winner of the prize for best US entry]

The last train by Val Ormrod

The full shortlist included:

Angela Forrest, Changeling

Angelita Bradney, The tower

Bruce Harris, Facing the Press

Bruce Harris, Nightcaps for Wild Boys

Christine Genovese, The Colour of Things

Emily Tempest, Medusa

Graham McDonald, Conversations with an Outhouse

Huw Lawrence, Restocking

Jo-Anne Foster, Donna and Robbie Williams

Julie Evans, Rehab

Liz Foster, The Heavyweight

Louise Farr, The Sun is Also a Star

Louise Ryrie, Seb's Christmas

Michelle Jager, Python Yellow

Nastasya Parker, The Apocalypse Alphabet

Richard Hooton, The Assassination of a President

Rob Nisbet, A Partner Always Knows

Sarah Klenbort, All that Matters

Val Ormrod, The Last Train

Valerie Knight, In my own skin

Congratulations to the winners, and commiserations to the losers - especially to Bruce Harris, with two stories in the shortlist but didn’t quite make the final published stories :(



Longlist for InkTears Short Story Contest 2018

From our record number of entries this year, we have whittled the stories down to a longest of 100. No story titles here, since our judges are still working on the shortlist, but here are the author names - and yes, if your name is here twice, you have two stories on the longlist. If it’s not here at all, then better luck another time - keep trying!

John Alty

Deborah Appleton

Tony Axelrad

Cath Barton

Kathryn Barton

Susan Bennett

Duncan Berce

Robert Booth

Angelita Bradney

Christopher Brawn

Dan Brotzel

Josephine Bruni

Elizabeth Burton

PS Burton

Lilian Cameron

Philip Charter

Alex Clark

Christopher Clements

Kathleen Conlon

Paula Conway

Paula Conway

Jane Cutler

Margaret Dakin

Sohom Das

Joshua Davis

Judyth Emanuel

Julie Evans

Louise Farr

Tracy Fells

James Finosto

Elsa Fletcher

Angela Forrest

Jo-Anne Foster

Liz Foster

Annette Freeman

Melissa Fu

Michelle Ganino

Christine Genovese

Lauren Glynn

Donna Greenwood

Judith Gunn

Liz Gwinnell

Bruce Harris

Bruce Harris

Keren Heenan

Sarah Hegarty

Wayne Herbert

Richard Hooton

Amanda Huggins

Paula Hunter

Michelle Jager

Val Jones

Sarah Klenbort

Valerie Knight

Harry Kolotas

Elizabeth Kuiper

Hanne Larsson

Alistair Lavers

Huw Lawrence

Julien Lejeune

Tristan Marajh

Ken McBeath

Graham McDonald

Rachel McHale

Caoimhe McKeogh

Isabel Mellor

Sherry Morris

Rob Nisbet

John Notley

Val Ormrod

Nastasya Parker

Abdul-Ahad Patel

Antony Reid

Wendy Riley

Reshma Ruia

Louise Ryrie

Shannon Savvas

Jac Slim

Sharon Sorrentino

Ruby Speechley

Emily Tempest

Chera Thompson

Michael Thompson

Denise Tolan

Sarah Traynor

Jeremy Tree

Jennifer Tucker

Sarah Tucker

Kelly Van Nelson

Kelly Van Nelson

Laure Van Rensburg

Wester Wagenaar

Pete Waterhouse

Drew Weir

Aimee White

MIchael Whitehead

Pauline Whittle

Christopher Williss

Katy Wimhurst

Barbara Young


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New Year's Writing Resolutions

I’m curious as to whether people set resolutions (or targets) for how much they are going to read or write each year. It may be as vague as ‘Finish that novel’ (or more likely, to start it), or ‘Finish first draft of novel by 30 November, or perhaps you have set a target that says ‘Write 2,000 words per day’. The same with reading, do you have a list of books already marked out to read, or do you want to ‘Read more than last year’, or do you refuse to set any goals, because reading is meant to be spontaneous and enjoyable?

I’m big on setting targets, I confess. I’ve done it for more than 25 years. I’ve learnt a lot through the process. For example, there’s no use setting a target you can’t control: I used to have goals like ‘Get 4 short stories published’, but that is somewhat in the lap of the gods. What you can do (and makes for a better target) is to decide how many contests you might enter. If you got two stories published last year and you entered 30 contests, then you might want to set a target to enter 60 contests this year. Or, you might decide to read every winning story from each of the contests you entered, and see what their stories had that yours lacked, and then either write a certain number of new stories, or spend a time editing your existing pieces.

This year, my goal is to publish a non-fiction book that I’ve had on the back burner for several years.

What’s your goal?

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InkTears Flash Fiction Winners 2018

Congratulations to the winners of our annual flash fiction contest. You won’t have to wait lag to read them, as we will publish a batch in December, and the second batch in Feb. Don’t be too disheartened if you didn’t make the cut (especially if you were on the shortlist), why not try your hand at the short story contest - you still have a couple of weeks to get your entries in!


Three Chords and the Truth by Steven Holding

Runner Up

Pocket Wishes for Scraps of Paper by John Heggelund

Highly Commended

Scratched Enamel Heart by Mandy Huggins

Small Mercies by Karen Jones

A Jog by Tom Moody

Captivity by Jennifer Riddalls

Sea Change by Sharon Telfer

The Visitor by James Watson

Messenger by Brian Wilson

The Elephant in the Room by Xanthe Knox



Advert for a few literary magazines (& me!)

I spend most of my time at InkTears working to promote the short story genre, and the fabulous writers (including many of you) who delight our readers with their gems. I am delighted when I see one of ‘our’ writers being successful in another contest - in fact I always scan contest lists for familiar names. There are a host of great competitions out there now (and they are much easier to find), far more than when we started InkTears, and also more literary magazines than ever. Some are established, well-respected names (like Ambit, and The London Magazine) and others are new kids on the block, with great ideas. I’ve been lucky enough to be published in a couple of literary magazines and prize anthologies in the past year, and as my little gesture of thanks, I wanted to highlight them, and suggest you take a look - either as a reader, or to submit your own stories. Every magazine and contest is different, and I love the way they distinguish themselves - with just the collection below, there have been launch events at top hotels and art galleries, author video recordings, commissioned art to illustrate the stories, actors to read the winning stories, and much more. It is great to see the short story market thriving. Click on any image to visit their website!

P.S. Popshot, if you’re listening, I’d love to include you here too… all you have to do is accept one of my stories :)



Longlist for 2018 Flash Fiction Contest

I’m tempted to call this the medium list, because it’s too long for a short list and too short for a long list. Congratulations to all those that made the list, and commiserations to the 70 stories that were in close contention for this list, but just missed out. The winners will be notified in another 7-10 days - nobody has been told yet, because we are still in the final judging stages.

Susan Bonetto - January

Ian Brown - Clouds on the Horizon

Ian Burton - Blackbird Song

Mary Cummings - Madame Bessaud

Amy Dupcak - Follow the Sun

Sarah Farley - Locked Drawers

Anthony Farmer - Go Straight Up

Tracy Fells - Inheritance

Soramimi Hanarejima - Fixing Memory

John Heggelund - Pocket Wishes for Scraps of Paper

Steven Holding - Three Chords and the Truth

Mandy Huggins - Scratched Enamel Heart

Stephanie Hutton - Blow Your House Down

Karen Jones - Small Mercies

Xanthe Knox - The Elephant in the Room

Niamh MacCabe - Cave

Niamh MacCabe - Halves

Louise Mangos - Heavyweight Dreams

Sue McCormick - Counting

David McVey - Bipolar

Damhnait Monaghan - Aim for a Sigh

Tom Moody - A Jog

Jeanette Perosa - L-word

Jennifer Riddalls - Captivity

Sharon Telfer - Sea Change

Alison Wassell - Crayons

James Watson - The Visitor

Brian Wilson - Messenger

Josephine Wright - The Shower


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Strange combinations

A friend of mine recommended I watch a movie called The Death of Stalin recently, and I duly obliged. If you’ve not seen the film, don’t panic - no spoilers here - it simply follows the last day or so of Stalin’s life, and the week or so leading up to his funeral, and the battle for power that takes place. First of all, I really enjoyed the movie. Secondly, I found it both very funny and yet terrifying at the same time. There were some fascinating combinations that don’t normally go together, that made the film so striking. To begin with, the director chose to use actors (and the writer crafted dialogue) that made the characters very clearly working class, which of course they were (this is communism after all). That doesn’t sound so unique, but actually it was quite profound - instead of seeing Stalin as an iconic, terrifying dictator, my perception was subtly altered to one of a common man who had gained a lot of power but little education, doing whatever he felt like. I’m not here to argue for the truth of that position, but I will say that the simple use of dialogue and accent transformed my perception of a major historical figure in only a few minutes of airtime. It actually made him even more frightening than the iconic dicatator.

The second aspect that was fascinating, was the way the horror and humour was merged, so that the characters were joking about scenarios even as they were causing deaths, torturing individuals, each other’s wives, and so on. The juxtaposition of the two was cleverly placed, and in some cases uncomfortable, and yet very human, too.

The movie made me think about strange combinations - how you can make a scene (written or visual) more powerful by putting together elements that may not normally be combined. I remember a writer I know advising me once to think carefully about my locations; they told me a couple arguing about a divorce is far more interesting at a funfair, say, rather than in the kitchen or the bedroom. In movies, I get nervous when characters are laughing, because I know screenwriters aim for contrast, and the monster or the tragedy will always strike after a scene where the characters are relaxed and happy.

Earlier this week I went to an ice cream parlour after dinner, and being a funky, hip place in San Francisco, the flavours were all wild - odd choices and combo’s. I tested the sesame flavour, but it was too strong for my liking, and in the end I went for Strawberry and Basil, which didn’t sound too appealing, but having chocolate would have marked me out as a man of no imagination (or a chocaholic, which may be closer to the truth). Bizarrely, I loved the combination, which kept reminding me of the taste of summer - I have no idea why - and strawberry ice cream doesn’t normally have that sensory connection, so I can’t explain it. I’m thinking that in my next story I might deliberately go for a weird combination. Piñata birthday party in zero-gravity? Walking a dog through a zombie wasteland? Any suggestions welcome :)

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What inspires you? When do you write the most

For various reasons, I like to write on aeroplanes. It’s a lot more expensive than coffee shops, and I can blame my lack of output on my dwindling frequent flyer miles, but I didn’t really choose this as my ‘writing shed’ It just sort of happened (long story). Anyhow, in the past two weeks I have flown to Sydney and back (15 hour flight from Los Angeles), and up to San Francisco from Orange County (only an hour). I have to confess that because the flight to Sydney left at 11.15pm on Sunday, and our new puppy had me awake at 4am, 5am, and 6am on Saturday night, I didn’t even attempt to write anything on the outbound flight. On the return journey, I did write - but it was all work documents, especially a major blog piece I’m doing on grain. The same was true on my SFO flights - reading material one direction, and writing more on the grain piece on my return. It doesn’t mean that story ideas didn’t occur to me though, and as usual they were squeezed into a moleskine, or tapped into my Todoist Writing list. It was my first trip to Australia, which made it a fantastic opportunity to come up with story ideas - I find there is nothing more inspiring than going somewhere new, and having your preconceptions, and ‘fixed’ ideas challenged by new and novel approaches. Whenever I travel, on holiday or for work, I come back brimming with stories or snippets that an be incorporated into my writing, because my brain has been sparked into action by the differences from the place I’ve visited and my own, familiar environment.

I often feel inspired by San Francisco. I should confess (or perhaps I shouldn’t) that I’m not totally convinced by San Francisco. I have a lot of friends who LOVE the place, and know many people who are keen to move there (or would, if the real estate prices were more reasonable), but I have to say that I find it a strange combination of high tech, fascinating layers of architecture, and abject poverty, all mixed in with the most surreal art and people. Each time I visit, it has like the city has morphed into a different place, like one of the abstract places in Invisible Cities by Italo Calvino. One time, you might find the city crawling with Uber, Lyft, and ten other clone copycats. The next trip, everyone is racing past you on electric scooters. On a third visit, everyone I passed was dressed like a fairytale character or an alien, and jogging. There is something unsettling about a visit to San Francisco, but I find it triggers my chunk of grey writing matter, and I come back with a dozen new thoughts.

What about you - where do you find inspiration?



Special prize for a US writer - judged by Bonnie West

Bonnie with a copy of Boyfriends, attending an outdoors book club... can't see that catching on in England!

Bonnie with a copy of Boyfriends, attending an outdoors book club... can't see that catching on in England!

This year, we have added a bonus prize of $250 for the best short story received by a US writer. We are honoured (or should I spell that honored?!) to have Bonnie West judging this prize. (As usual, the judging will be blind - so she won't see the writers' names). Bonnie won the very first InkTears short story award, was born and raised in America, and is the author of the acclaimed short story collection Boyfriends. Bonnie West's stories and essays have appeared in numerous publications, including The Minetta Review, The Talking StickWomen's Day, Redbook Magazine, The Austin Chronicle, and the anthologies, Still Going Strong and The Ultimate Dog Lover. She has four mini-mysteries for children published by Carol Rhoda Press and a bilingual Japanese/English book, Hideki and Kenji Save the Day published in collaboration with Diane Carter. She lives with her husband in Saint Paul, Minnesota.


Bonnie what do you look for in a short story?

A remarkable first sentence/paragraph. Because of the limited time to tell the story it has to draw me in from the very beginning. Give me believable authentic characters. I like characters (human or otherwise) who seem real and not so eccentric that I have to stop and think, “Oh please, no one acts like that.” I'm especially captured by that most evasive but absolute essential thing, called “voice”.   And I appreciate it when the writer’s style is one that I don’t feel a need to notice, but is rather a style so subtle and well executed it allows me to become lost in the tale.  I love a story that makes me wish it were a novel but still feels compete and self-contained  and won't leave me hanging.  


Do you think there is a difference in writing styles between America and European writers?

I think that anything I say, someone could, and would, point to a writer from the other side and say, 'yes but this is just what so-and-so does!' So I have to say that I don’t know of specific differences between European and American styles in the present day short story.  Color/colour, or  mom/mum, and so on, but those are mere spelling differences. Of course, the lack of the wonderful English expression gob-smacked. If I read gob-smacked in an American story I would think it ridiculous and affected.


You can enter the contest here.


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Reading outside of your genre

I remember a (nameless) college professor who once told a class to read outside of their favourite genres and authors. I asked her what was the last science fiction book she had read, and she floundered. Probably not the best way for me to win friends, but then I've never been a big fan of hypocrisy. However, the advice was good (even if she didn't follow it herself). It is far too easy to get stuck into one niche. By nature, I have very broad interests, and I typically have a range of different books on the go; normally including some poetry, non-fiction, short stories or flash, and a novel. I could always do with expanding my own horizons though. My last few novels have included a 'police procedural', which sounds boring but was actually one o the best studies of character I have read in a long time, an award winning sci-fi novel from a couple of years ago, the latest blockbuster about a crime in an Australian town, a thriller about people who can control language to manipulate us, and a collection of African fables. I also read 'The Vorrh', which is officially fantasy but is pretty hard to place, and unlike anything else I have read. The downside of Amazon and other search engines is that they try to give you other books enjoyed by 'people like you' which too often means you get stereotyped - the books you see when you visit the online store are very similar to the last one's you read, a sequel or prequel, the same themes, and so on. That is all very nice, and useful, and probably the most profitable way to sell books, but is it a preferable approach to choose your next item to read? Is it the best way to use reading as a window into different worlds, alternate lives and perspectives?

There used to be a time when we would choose books by browsing through a bookstore. There were still constraints and limits; the number of books a single shop could offer, the discrete sections for romance or fantasy or autobiographies, that meant people were all dressed in the same clothes in the same aisles, the top ten lists put together by the booksellers, and so on. There was a much better chance of serendipity though, you could see a cover that caught your eye, take a wrong turn, meander through a different corner of the shop. My favourite part of modern book stores is the 'Books our staff like' region, because these are personal choices, by book lovers, who may come from different ages, areas, and have a variety of obscure preferences.

It's not new year, but it is the new school year. A time for education. Ask yourself, when was the last time you read something totally outside of your 'normal' reading habits? Take a walk on the wild side. Head into a real bookshop and wander, or mistype a few words into Amazon and see what comes up. Explore. Adventure. You never know what you may find.

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Announcing the InkTears short story judges for 2018


Announcing the InkTears short story judges for 2018

We have never done this before, but to shake things up a bit, we are going to pull-back our veil of secrecy and reveal our three stellar judges for the 2018 InkTears short story contest, and let them each tell you what they are looking for.

Joanna Campbell, Hannah Persaud, and Melanie Whipman

All three have won InkTears prizes, and many other writing awards, and have in-depth knowledge on what it takes to write a winning story

Joanna Campbell

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Joanna is a full-time writer from the Cotswolds. Her work has been published in numerous literary journals and anthologies. She won the 2015 London Short Story Prize. In 2017, her flash-fiction story, Confirmation Class, came second in the Bridport Prize and the Bath Flash Fiction Award published her novella-in-flash, A Safer Way To Fall.

Her short story collection, When Planets Slip Their Tracks,published by InkTears, was shortlisted for the 2016 Rubery Book Award and longlisted for the 2017 Edge Hill Short Story Prize. In 2015, Brick Lane published her novel, Tying Down The Lion.

In 2018 her story, Nearly There, was chosen for publication in 24 Stories of Hope for Survivors of the Grenfell Fire. In the same year, her story, Brad’s Rooster Food, shortlisted in the Royal Academy Pin Drop Award, was chosen for A Short Affair, an anthology published by Simon and Schuster. She is currently editing her second novel. Website: Joanna-Campbell.com


What I look for in a story...

I’m looking for a story which stops the clock. I want my world to close down, to forget I’m judging, forget I’m reading, and be fully immersed in the realm the writer has created. I would like the central character to face a conflict or dilemma and then drive the action, rather than be passively steered through the story by the plot. Give me someone I can picture, someone who intrigues me, someone I can root for. I don’t need to like them, but I do need to care about their fate.

I hope to be pulled into the narrative from the opening sentence. In a short story, there is no time for lengthy build-up or scene-setting or back story. Take me straight into the action, then weave in a contextual detail here and there, but only once your story has already held me in its thrall. There is no need to use artwork or photographs to illustrate your story. The words should tell me all I need to know. Anything extra is a distraction.

Your story needs to be told in an original, compelling and memorable voice, which sets it apart from the hundreds and hundreds of other entries. If that voice stays with me after I finish reading, I am far more likely to recommend it for the shortlist.

Hannah Persaud

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Hannah has been writing for three years, juggling it around her young family and her paid job. Hannah won the InkTears short story contest in 2017 and was runner up in 2016. This year she was shortlisted for the Cambridge Short Story Prize and has had flash fiction, short stories and poems published in numerous publications including Ellipsis Zine, Riggwelter Press, Flash & Cinder, TSS Publishing and Dodging the Rain. In the past three years Hannah has had stories shortlisted and longlisted with The Brighton Prize, Magic Oxygen and The Royal Academy Pin Drop Award, amongst others. In 2016 she won the Fresher Writing Short Story Prize. Hannah is represented by Laura Macdougall of United Agents, and recently completed her debut novel, Margins of Truth. She is currently writing her second novel. You can contact Hannah via @HPersaud / www.hannahpersaud.com


What I look for in a story...

I want short stories to follow me around for days after I’ve read them, pestering me for my attention. The best stories have their own heartbeat.  I adore visceral language and evocative descriptions but these need to be woven into a compelling narrative that spurs me forward. I am not a fan of stories that hinge on a twist. A great story can pivot on the subtlest of detail; the pause before opening a door or a change in tempo. A short story can withstand an intensity that the novel can’t – be brave, be bold, I can’t wait to read your entries.

Melanie Whipman

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Melanie is an Associate Lecturer at the University of Chichester; leads creative writing workshops in Farnham, and is commissioning editor for The Story Player. Her stories have won numerous prizes and have been broadcast on BBC Radio 4. Her debut short story collection, Llama Sutra, was published in 2016. It was the winner of the Rubery International Book Award short story category and was a contender for the 2017 Edge Hill Prize. She is currently editing her novel, which was written during her MA in Creative Writing, and which was awarded the Kate Betts Prize. Website: www.melaniewhipman.com 


What I look for in a story...

It’s tricky to know exactly what I’m looking for. A good short story presents both a microcosm and magnification of life. it has to be something well-written, compressed, that exposes our human frailties in some way, yet isn’t didactic, that resonates, that surprises and challenges and so forth. It’s about balance too - a balance of all the ‘ingredients’ of a short story: character, setting, tone, tension, etc. Often it’s just a certain alchemy that you can’t define, but you know it when you read it, and the best ones have the power to raise the hairs on the back of your neck. 

The InkTears Annual Short Story Competition is open now.

You can find the full details here